In the preface to his 2012 Catalogue Alexander Lamont talks about his first visit to Thailand as a boy conjuring memories through the smells and sensations of those early trips:

“I followed my father to rattan factories thick with the smell of peeled, steamed and burnt rattan. Teak workshops where the air was full of the oily dryness unique to that ancient building material of Southeast Asia. And in those days there was lacquer; a pungent treacle that requires heat and humidity to dry. Such visceral, pleasurable experiences never fade but live on in the body and mind as golden memories.”

Those golden memories from his childhood travels are what inspired Alexander to create furniture, lighting, objects and wall panels that have a richness of texture, and an energy and tactile quality that calls out to be touched.  The powerful ways in which sensory experience connects us to the core of our being, to our intimate selves, is a theme that always runs through Alexander’s work. 

“Objects have power” says Alexander, “they connect us to people, places, memories…”

Sometimes the power of such sensory experiences are referred to as the “Proustian effect” referring to Marcel Proust, author of the 3,200 page masterpiece, In Search of Lost Time, written in the early 1900s.  

“And once I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like the scenery of a theatre...”

We have all experienced something similar to what Marcel Proust describes: the sensation of being transported into memories of the past by a sound, a musical phrase, the shape and texture of something held in our hands, or a scent carried on the air, a taste of something on the tongue. Often we cannot quite place what this strongly familiar sensation is or where it comes from in our past but it triggers something profound within us that reverberates through our being and often stays with us for days, the warm nostalgia washing over us again and again and entering our dreams at night. This is the power of the senses.

“Listening” to incense or the Japanese art of Kodo is an even more enhanced way of enjoying scents in the home. Alexander Lamont’s incense burners come with a carefully edited selection of  incense discovered on his journeys to Japan.

Lighting a candle or a stick of incense at the close of the day is an intimate ritual that brings us home and signals to our senses that it is time to relax and unwind. As Marcel Proust discovered when he inhaled the scent of his lime blossom tea, our spirits are immediately enlivened and warmed by our senses bringing distant memories and the remembrance of things past.

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